剧情简介
康(🈯)沃尔(ěr )渔村的风景明信片田(📼)园诗误导了人们。虽(😘)然(🕟)过去钓鱼是一种(zhǒng )养家糊(🎗)口(kǒu )的方式(🐉)，但(dàn )(🌰)如今富(fù )有的伦敦游客纷(fēn )纷下(xià )山(shān )(⏬)，取(qǔ )(🎏)代(❣)了(le )当地(♑)人(rén )，当地(dì )人(rén )的生(🕔)计因(yīn )此受(🤷)到(🗄)威胁(xié )。史(shǐ )蒂(dì )(👁)文和(💆)马丁(dīng )兄弟的关系也很紧张。马丁是(shì )一个(gè )没有船的(🚸)渔夫，因为(🕕)史蒂文开始用它(⏺)来为一整(zhěng )天的游客(🌚)提供(gòng )更赚钱的(de )(🖲)旅游(❔)。他(🦗)们卖掉了这座家庭别(bié )墅(📙)，现在看来(🙌)，最后一场战斗是和新主人在海(hǎi )边(biān )的停(🤷)车(chē )位上展开(🤲)。然而(ér )，情况很(🏯)快就失(shī )控了，而不(🧣)仅仅(⚾)是因为车轮夹(🈁)钳(❕)。 (💹) Bait是一种黑白，手工制作，16毫米胶片制作的(de )(🌼)电影。许多(duō )关(😝)于鱼、网(wǎng )、龙虾、长靴、绳(🤥)结(jié )和(hé )渔篮(lán )的特写镜头让(ràng )人想(xiǎng )起(🐞)了(le )蒙太(tài )(🔞)奇景点(diǎn )的(de )理(lǐ )(🌂)论。对不同(🆙)社(🖍)会阶(jiē )层的描(🌸)述(📞)——可以(🎐)说(shuō )是阶级关系——也让人想(xiǎng )起了英国电影中的(de )社会现实主义传统。然(rán )而，最重要的是(🔮)，在影像中不同(tóng )层次的电(🐌)影历史参考文献之下(✒)，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🧒) Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎲) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
