前身是皇(🌠)軍軍港的吳(✒)港,戰後成為船塢工(🌰)人(rén )(🃏)的生(😘)活煉獄。在(🕰)資本(🤴)家剝(🎺)削和(hé )(🎗)枯燥生活的雙重(🍖)煎熬(áo )下(xià ),躁動的(😧)年(🎾)輕生(shēng )(🌫)命,一(🎲)頭(🎏)栽進暴力(lì )漩(📼)渦(wō ),延(yán )擱成長,終(zhōng )日在打鬥、賭博(bó )、酗酒中(zhōng )尋(xún )找暫時(🚉)的麻醉。吉田(📞)喜重(chóng )通過(guò )工頭之眼,對不合理的社會現實作(🤷)出欲迎還(hái )拒的批判,被視為日(🚨)本(běn )新浪潮(🖲)代(🔢)表(❔)作之一。香山(㊗)美子飾演(🗞)純真的酒館(guǎn )女(🏂)待,同情工人(rén )卻慘被(🙉)強姦,正(⏰)與負的(de )能量,在大時代(dài )中比拼互滲,可有超越對(duì )與錯,是與非的位(🌮)置?片(piàn )末(mò )火車(chē )站送別一(yī )場(chǎng ),在家和社(shè )會之間,吉(🏻)田喜(xǐ )重作出了左(🤷)翼的選擇(zé )。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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